Directing

"Theatre is the most immediate art form — it lives and dies in the present tense. Every night is the only night."

I am drawn to plays that ask something of their audience — that don't allow comfortable spectatorship. Whether it's the moral labyrinth of a wartime forger, the ideological combat between a writer and a fact-checker, the studied chaos of farce, or the political terror beneath a cabaret's glitter, I look for material where the stakes are genuine and the human cost is visible.

My work begins with the actors and the text. I believe in extensive table work, in finding the play's argument before finding its staging, and in building a rehearsal room where bold choices are safe to make. The design emerges from that argument — not as decoration, but as a further articulation of it.

I have worked across San Antonio's theater ecology — at the Overtime Theater, the Tobin Center, Wonder Theatre, and with La Bête Productions, the company I co-founded — and I bring the same commitment to every room: tell the story with precision, trust the audience, and make something that couldn't have existed anywhere else.